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簡(jiǎn)介：

　一名年輕女子在離家千里之外的地方死去。一個(gè)男孩坐在她旁邊。她不是他的母親。他也不是她的孩子。他們共同譜寫(xiě)了一個(gè)令人難忘的故事，講述了破碎的靈魂、無(wú)形的威脅、家庭的力量和絕望處境。改編自薩曼塔·施維伯林備受?chē)H評論界贊譽(yù)的小說(shuō)。

簡(jiǎn)介：　　電影是一部“藏族題材”懸疑影片，講述了圣山村突發(fā)的一起命案，讓原本平靜的山村被驚悚籠罩，無(wú)論是懸崖下狂奔的尸體，恐慌的村民，墜亡的村霸，還是消失的村長(cháng)，神色慌張的情侶…都讓恐怖不斷發(fā)酵，驚悚持續升級。影片邏輯縝密，全程燒腦，懸念十足！迷局真相讓人心生驚駭！

簡(jiǎn)介：Four insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.

簡(jiǎn)介：在一個(gè)禁止約會(huì )的國度，三名追尋幸福的少女決定加入一個(gè)由魅力領(lǐng)袖領(lǐng)導的隱居社區。

簡(jiǎn)介：即將晉升的警察局長(cháng)卷入一起致命事件，并發(fā)現了一個(gè)因怨恨而生、威脅到同事的陰謀。

簡(jiǎn)介：這部驚悚片由塔菩?！づ伺?、維金蘭特·馬西和哈什瓦漢·拉納主演，講述了一名女子涉嫌謀害親夫的故事。

簡(jiǎn)介：Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa K?rner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions What is truth What is heroism in the time of war And all the while he fails to see the mounting danger before him.

簡(jiǎn)介：故事取材自1981年轟動(dòng)全美的真實(shí)謀殺案，兇手亞恩·夏安·約翰遜殺死房東后聲稱(chēng)自己是被邪靈附體才會(huì )行兇，是美國歷史上首個(gè)被告以「鬼上身」作抗辯理由的案例，因此稱(chēng)為「惡魔謀殺案」?！　?1歲男孩大衛被邪靈附體，陷入混沌狀態(tài)，經(jīng)?？匆?jiàn)怪獸惡魔坐在他喜歡的搖椅上，而他身上更出現 離奇傷痕…受驚且束手無(wú)策的家人請來(lái)沃倫夫婦介入調查，他們發(fā)現大衛被43只惡魔纏身，使乖巧的他行為變得異常，例如像野獸般在地上爬行、胡言亂語(yǔ)甚至背誦他沒(méi)有讀過(guò)的圣經(jīng)及《失樂(lè )園》章節…沃倫夫婦遂安排神父為大衛驅魔，可惜未見(jiàn)起色，而更詭異的事情接踵而來(lái)，大衛姐姐的未婚夫亞恩也開(kāi)始行為異常，數月后，亞恩更以利刀刺死了房東。華倫夫婦認為亞恩行兇時(shí)被惡靈附身，原來(lái)大衛進(jìn)行驅魔時(shí)，亞恩也在現場(chǎng)……

簡(jiǎn)介：在這看似祥和的島嶼上，一位孤兒和學(xué)校里神秘的新老師越走越近，恐將遭到這座島的黑暗秘密吞噬。

簡(jiǎn)介：The story follows a recent divorcee who spends her daily commute fantasizing about a seemingly perfect couple who live in a house that her train passes daily, but something shocking happens there one day.

簡(jiǎn)介：

本片是2014年爆款動(dòng)作片《走到盡頭》的菲律賓翻拍版。講述警察愛(ài)德蒙·威廉在匆忙奔喪的路上意外撞人，隨后卷入被敲詐勒索的危險局面。在動(dòng)作片領(lǐng)域有專(zhuān)攻的菲律賓導演勞倫斯·法哈多，在本片中對節奏拿捏精準，不僅故事環(huán)環(huán)相扣驚險刺激，室內打斗動(dòng)作更是迅猛凌厲，讓觀(guān)眾腎上腺素飆升。他還為影片加上了大量本土化背景，以犯罪片的形式對某些社會(huì )現象作出了批評。

簡(jiǎn)介：　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

簡(jiǎn)介：　　The story follows a recent divorcee who spends her daily commute fantasizing about a seemingly perfect couple who live in a house that her train passes daily, but something shocking happens there one day.