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這部紀錄片深入探討了杰西卡·旺索 (Jessica Wongso) 的摯友米爾娜·薩利欣 (Mirna Salihin) 去世多年后對其審判的未解問(wèn)題。

After her mother’s death, Mona Achache discovers thousands of photos, letters and recordings, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation, she brings her mother back to life to retrace her journey and find out who she really was.

寶琳娜與奧古斯托結婚數十載仍彼此相愛(ài)，但阿茲海默癥的到來(lái)讓“記住所愛(ài)之人”變?yōu)樯萃?，他們將如何面對人生的轉折？導演借用主人公曾經(jīng)的調查記者身份，有意將兩位老人相濡以沫的日常生活場(chǎng)景與上世紀八十年代智利政治運動(dòng)的街頭影像交叉，將個(gè)人記憶的喪失與國家記憶的模糊聯(lián)系在一起，在溫馨動(dòng)人的私密情感之外表達了更高的社會(huì )主題訴求。入圍2023年柏林電影節全景單元觀(guān)眾獎最佳紀錄片、榮獲2023年圣丹斯電影節世界電影紀錄片單元評審團大獎。

在花火咖啡廳，男主角被女主角的個(gè)性所吸引，通過(guò)咖啡店老板轉交寫(xiě)有全市有特點(diǎn)的咖啡店地址的明信片，通過(guò)咖啡香氣的、關(guān)于愛(ài)情的各個(gè)小故事，慢慢得到女主角的青睞而在一起后，但最終意外導致兩人分開(kāi)。

This true-crime documentary film features Rosa Peral's first interview from prison since she was convicted of murdering her partner aided by an ex-lover.

　　作為坂本龍一獻給世界最后的禮物，影片記錄了坂本龍一生前最后一場(chǎng)鋼琴獨奏音樂(lè )會(huì )，其中包括《圣誕快樂(lè )，勞倫斯先生》《末代皇帝》《水》等在內的二十首經(jīng)典曲目。

這部紀錄片以20世紀90年代至21世紀初動(dòng)畫(huà)“第二個(gè)黃金時(shí)代”的視角，講述了手繪動(dòng)畫(huà)的崛起、衰落和再次崛起。這些動(dòng)畫(huà)師由創(chuàng )造動(dòng)畫(huà)原理的動(dòng)畫(huà)大師培養，他們將動(dòng)畫(huà)推向了前所未有的高度——然后，計算機技術(shù)應運而生。

Batiste also took a spin in the spotlight to announce his collaboration with Heineman on American Symphony, a feature documentary about his path to creating the stage show of the same name that debuted at Carnegie Hall last fall. The film is said to be an intimate look at his creative process and an unprecedented look at his personal life during the highs of winning five Grammy...