簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：eee一場(chǎng)大火侵襲的熊谷國家公園，在救援人員奮力撲火之時(shí)，動(dòng)物們也紛紛失控，還有一只未被發(fā)現過(guò)的大怪獸……

簡(jiǎn)介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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《利刃出鞘》系列第三部，黑暗程度更勝以往，大偵探布蘭科（丹尼爾·克雷格 飾）再度出馬，調查他有生以來(lái)最危險的案子。

簡(jiǎn)介：

　　Having weathered marriage pressures from family and friends in the first movie of the series, Efsun is now with the man of her dreams, Sinan. But the complications facing her love life don't get any less. As if her own chaotic family wasn't enough, she now has to contend with Sinan's - his grandmother, Cavide, in particular - and things quickly spin out of control. Will she make it through hell and high water to fulfill her dream of a peaceful life with Sinan? Does she really want the wedding everyone else has decided on for her? Written by 

簡(jiǎn)介：

　　桑尼·海耶斯（布拉德·皮特 飾）曾經(jīng)是F1賽場(chǎng)上最具潛力的天才新星，但一場(chǎng)意外葬送了他的職業(yè)生涯，從此他淪為人們口中最生不逢時(shí)的“滄海遺珠”。三十年后的如今，桑尼是一名自由職業(yè)的落魄賽車(chē)手，他的前隊友——如今是瀕臨破產(chǎn)的F1車(chē)隊老板魯本·塞萬(wàn)提斯（哈維爾·巴登 飾）卻突然找上門(mén)來(lái)。魯本說(shuō)服桑尼重返F1賽場(chǎng)，這不僅是拯救他車(chē)隊的最后希望，更是桑尼向世界證明自己仍是頂尖車(chē)手的最佳契機。桑尼將與車(chē)隊的熱門(mén)新秀喬舒亞·皮爾斯（達姆森·伊德瑞斯 飾）并肩前行，這位年輕的車(chē)手也渴望在賽道上書(shū)寫(xiě)自己的傳奇。然而伴隨著(zhù)引擎開(kāi)始轟鳴，桑尼過(guò)去的創(chuàng )傷也如影隨形，他同時(shí)意識到在F1的世界里，并肩作戰的隊友也會(huì )是最強勁的對手，而通往自我救贖的道路，絕非孤身一人能夠走完。

簡(jiǎn)介：情報科竊聽(tīng)小組三兄弟情同手足，梁俊義（劉青云飾）正直而又懦弱，在個(gè)人感情問(wèn)題上托泥帶水；楊真（古天樂(lè )飾）家境窘困，不僅要應付身患白血病兒子的隨時(shí)可能出現的突發(fā)情況，而且自己也病入膏肓，命不久矣；林一祥（吳彥祖飾）年輕有為，滿(mǎn)懷雄心，如今又“嫁入豪門(mén)”，前途不可限量。三兄弟在負責調查上市公司“風(fēng)華國際”涉嫌內幕交易案起始，通力合作，出色的完成了布置各種偷聽(tīng)及監視儀器的工作...

簡(jiǎn)介：哲學(xué)教授兼作家哈利（摩根·弗里曼 飾）經(jīng)常光顧一間咖啡店，在那里目睹了形形色色的愛(ài)情故事?？Х鹊昀习宀祭吕ǜ窭赘瘛そ鹉釥?飾）因與妻子凱斯林（塞爾瑪·布萊爾 飾）離婚而陷入苦悶，他為此與偶遇的房地產(chǎn)經(jīng)紀人戴安娜（拉達·米切爾 飾）閃電結婚，又因后者對已婚情人大衛（比利·巴奇 飾）念念不忘，閃電離婚。絕望的布拉德利嘗試和愛(ài)犬為伴，然而美貌溫柔的阿加莎（米茜·派爾 飾）意外出現，打亂了他的心。與此同時(shí)，咖啡店的服務(wù)生奧斯卡（托比·海明威 飾）和克羅伊（愛(ài)麗克莎·黛奧洛斯 飾）走在了一起，他們?yōu)楣餐奈磥?lái)制定種種計劃，并對家庭生活產(chǎn)生了無(wú)限的憧憬……

簡(jiǎn)介：南宋時(shí)期，良家女子李慧娘因抨擊時(shí)弊被奸相賈似道殺害，含冤九泉之下的李慧娘陰魂不散，化作幽靈飄回人間，報仇雪恨賈似道對太學(xué)生裴舜卿恨之入骨，設計騙其進(jìn)賈府，伺機謀aaa。掌握生死大權的明鏡判官生性愛(ài)憎分明，讓在陰曹地府的李慧娘暫回人間搭救裴舜卿，慧娘手執判官相贈的陰陽(yáng)扇，來(lái)到囚禁裴舜卿的房?jì)?，裴?jiàn)李深夜探訪(fǎng)，疑心重重?；勰锏莱鲈?，舜卿方知慧娘是一大情大義之人，并不知道眼前的美人是個(gè)鬼魂，心生憐憫與愛(ài)意。光陰恨短，李慧娘趁雄雞報曉之前離開(kāi)了裴舜卿?；氐疥庨g，冥冥之中感覺(jué)三更時(shí)分裴舜卿有殺身之禍.

簡(jiǎn)介：Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.

簡(jiǎn)介：迪諾和安娜他們彼此激烈相愛(ài)，但他們不是一般傳統關(guān)係的夫妻，它們之間從來(lái)就沒(méi)有發(fā)生性關(guān)係，他們都有各自不同對象和性經(jīng)歷的關(guān)係。迪諾有著(zhù)複雜多變的性格，因為他有一個(gè)痛苦難忘的童年，自幼他的兄弟自殺，隨後他的母親又拋棄了他，迪諾彷彿是在愛(ài)神和罪惡之間的尖銳對比，因而產(chǎn)生精神分裂的痛苦。

簡(jiǎn)介：The journey full of megalomania and piano music of Chilly Gonzales from the Berlin punk scene to the philharmonic orchestras, it's a story of eccentricity which also stars Daft Punk, Drake, Feist, Jarvis Cocker.