簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：An unadorned perspective on impoverished life in Okinawa. 17-year-old Aoi works as a nightclub hostess in order to earn rent money and to provide for her little boy and his lazy father, who has no qualms about hitting his wife. Yet how dark does reality have to get before it stifles the rays of hope that filter through

簡(jiǎn)介：Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter.　　But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd.　　The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul.　　The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him.　　Giovanna Fulvi

簡(jiǎn)介：羅世傑為完成畢業(yè)論文, 找尋資料, 借宿劉忠河同學(xué)家, 某日士傑與劉婉憶入山考古, 忽忽天色已暗, 留宿山野, 夜晚婉憶尿急不慎跌落山洞, 驚現一具骷髏頭及令牌, 次日經(jīng)考古教授確認係明朝古物, 並帶回保存. 一天婉憶打掃時(shí)不慎被骷髏頭刺傷, 血流滴進(jìn)骷髏內而產(chǎn)生靈氣, 夜晚士傑回房潛研時(shí)卻發(fā)現骷髏內現出鬼魂小娟是陽(yáng)間的小娟隨即附身剛進(jìn)房的婉憶身軀和士傑談天. 賈一道發(fā)現士傑被鬼魂纏身, 忠河與劉父作法護士傑, 這時(shí)陰陽(yáng)魔要脅小娟聽(tīng)命左右, 小娟不從被拘禁回骷髏頭內, 只好殺士傑以求解圍, 惜為符咒擊傷通時(shí)被魔女推救說(shuō)明原委, 路上和呂道長(cháng)二人鬥法, 魔女不敵魔王前來(lái)搭救, 陰魔王雖使出魔法迫戰, 而天已亮, 陰陽(yáng)魔等人消失無(wú)蹤. 呂道士得知陰陽(yáng)魔法力無(wú)邊, 決定設壇誘捕, 以濟公活佛玄門(mén)迎戰敗下陣來(lái), 只得犧牲小娟魂體結令令牌及骷髏碩一舉大敗陰陽(yáng)魔, 眾人趕來(lái)祭拜小娟墳前, 邪總不勝正.

簡(jiǎn)介：　　葉蒼受師傅之命進(jìn)入云都照顧一位故人，不想這位故人早已亡故；葉蒼本想就此離去，此時(shí)卻發(fā)現一名女子與自己有著(zhù)太多的命運糾葛，因此葉蒼改變主意留在了云都；只是此時(shí)的云都風(fēng)雨飄搖，荼攴與慕乘風(fēng)正密謀奪取王權；而為了維護那名女子路凝霜，葉蒼展現自己超群的智謀，將大局掌控在自己的手中，終護的那名女子不受絲毫損傷……

簡(jiǎn)介：

　　映畫(huà)では、澪に新たな戀の予感も。

簡(jiǎn)介：　　在暴力之城，謀殺和犯罪每天都在發(fā)生。當肖特從監獄里出來(lái)，試圖恢復正常生活時(shí)，他面臨著(zhù)兜帽的誘惑和影響。在這部緊張的犯罪驚悚片中，它變成了一場(chǎng)生存之戰。

簡(jiǎn)介：康德瑞（杰拉爾·德帕迪約 Gérard Depardieu 飾）有一個(gè)人人羨慕的幸福家庭，盡管和妻子結婚多年，但兩人的感情依舊甜蜜而牢固，不幸的是，這樣的生活隨著(zhù)菲利普（亨利·加爾辛 Henri Garcin 飾）和馬蒂爾德（芬妮·阿爾丹 Fanny Ardant 飾）夫婦的到來(lái)而畫(huà)上了句點(diǎn)?！　≡瓉?lái)，馬蒂爾德和康德瑞之間曾經(jīng)有一段熾熱而真摯的感情，但由于種種誤會(huì )，兩人最后未能開(kāi)花結果，如今他們都已成婚，再次相見(jiàn)，兩人心中五味雜陳。隨著(zhù)時(shí)間的推移，火苗開(kāi)始在愛(ài)情的灰燼里重新燃起，馬蒂爾德和康德瑞雙雙背叛了各自的家庭。沒(méi)過(guò)多久，菲利普就發(fā)現了妻子的不忠，他強行帶走了馬蒂爾德，兩人搬去了別處。悲傷的馬蒂爾德無(wú)法承受又一次的分離，她的固執和極端為之后的悲劇埋下了伏筆。

簡(jiǎn)介：大導演黑澤明的去世被譽(yù)為“太陽(yáng)隕落”，令無(wú)數人惋惜不已。作為副導演，跟隨黑澤明28年的小泉堯史初次擔綱導演，接下這部黑澤明未完成的遺作-改編自山本周五郎原作的古裝片。三澤伊兵衛雖劍術(shù)精湛，但官運不佳。攜妻子流浪江湖，由于連日暴雨，不能渡河，只得棲息在一家小旅館.一天，他又赤手空拳平息了年輕武士的斗毆，得到城主永井泉守賞識，仕途仿佛出現了曙光……

簡(jiǎn)介：查理·普拉默、小凱文·哈里森([泥土之界])、雅各布·拉提摩爾加盟全新影片[隘谷](Gully，暫譯)，納比勒·埃爾德金執導該片,馬庫斯·蓋爾利編劇。故事發(fā)生在一個(gè)反烏托邦式的世界，三個(gè)童年不快的年輕人心懷不滿(mǎn)，他們試圖尋找一種全新的生活方式，然而一場(chǎng)享樂(lè )主義的騷動(dòng)即將上演。

簡(jiǎn)介：1960年捷克卡羅維發(fā)利國際電影節最佳導演水晶球獎?！　riginally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.　　From All Movie Guide Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed SeryozhaA Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K PrichaluThe Way to the Wharf (1962). His 1969 comedy Ne Goryuy!Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po MoskveI Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

簡(jiǎn)介：曾經(jīng)，大魔術(shù)師馬斯卡雷（里提克·羅申 Hrithik Roshan 飾）一次又一次的用自己高超的技術(shù)和精彩的表演震驚世人，不幸的是，一次表演中的失誤讓他不得不面臨終身癱瘓的悲慘命運。在護士索菲亞（艾西瓦婭·雷 Aishwarya Rai Bachchan 飾）的精心照料 下，馬斯卡雷的“癱瘓生活”過(guò)的還算不錯，與此同時(shí)，只能躺在床上的他依然在努力用自己的智慧和語(yǔ)言為魔術(shù)事業(yè)做著(zhù)貢獻?！　‰S著(zhù)時(shí)間的推移，馬斯卡雷發(fā)現自己的思維開(kāi)始混沌，身體的各項技能都因為長(cháng)時(shí)間的靜臥而出現了退化，這也意味著(zhù)，用不了多少時(shí)間，他將真正的變成一個(gè)“植物人”。意識到了自己糟糕的境況，馬斯卡雷向索菲亞提出了一個(gè)令人震驚的請求，那就是讓她幫助他結束自己的生命。