簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

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《魔發(fā)奇緣》電影的結尾，剪掉長(cháng)發(fā)的樂(lè )佩回到了科洛納王國。迪士尼頻道于2017年推出同名電視系列劇，講述樂(lè )佩回國之后的冒險故事。在這一作品中，樂(lè )佩的魔法長(cháng)發(fā)又回來(lái)了！本片是迪士尼頻道原創(chuàng )電影，作為系列劇...

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簡(jiǎn)介：影片改編自D.H.勞倫斯的同名小說(shuō)?！　〔樘┤R夫人（艾瑪·科林 飾）對丈夫（馬修·達克特 飾）的愛(ài)消磨殆盡，轉而與莊園的獵場(chǎng)看守人（杰克·奧康奈爾 飾）展開(kāi)一段熾烈戀情。

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你在一個(gè)破舊的旅館房間里醒來(lái)，不知道你是怎么到那里的。 你不記得你的名字了。 你發(fā)現其他房間里似乎還有其他年輕女性處于同樣的困境，盡管其中一個(gè)似乎知道你的名字：安妮。 在與一只相當大的蟑螂發(fā)生不愉快的遭遇之后，你尖叫起來(lái)。 那是護士來(lái)給你鎮靜的時(shí)候。 順便說(shuō)一下，當夜幕降臨時(shí)，你需要逃離一個(gè)帶著(zhù)血跡斑斑的鹿頭的殺手惡魔。安妮的面孔在很大程度上依賴(lài)于恐怖電影的元素——在很多方面，這正是它的本質(zhì)。 但這部電影也是一個(gè)謎題，其中心問(wèn)題是——為什么安妮會(huì )在這里？ – 允許我們探索有關(guān)其解決方案的理論，直到最后一刻。 我們在玩電子游戲嗎？ 密室逃脫？ 具有多重人格的人的思想？ 一個(gè)精神錯亂的連環(huán)殺手精心制作的虛無(wú)主義幻想？ 最好的恐怖片往往是那些反映社會(huì )恐懼的電影，這并不是什么新鮮事。 這部電影對當今年輕人所面臨的一些困難進(jìn)行了巧妙的、令人發(fā)自?xún)刃牡目謶值念?lèi)比。

簡(jiǎn)介：　　Quisling was put on trial and executed for his collaboration with the Nazis during the Second World War.

簡(jiǎn)介：　　The Clash Continues as Pushpa and Bhanwar Singh continue their rivalry in this epic conclusion to the two-parted series.

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1989 年，巴勒斯坦人要求獨立，以色列國派遣年輕士兵去監督占領(lǐng)區阿拉伯人。其中一名士兵被殺后，四名年輕士兵和一個(gè)巴勒斯坦家庭的命運就此注定。這部電影描述了一名年輕士兵在混亂中尋找自己位置的非凡旅程。

簡(jiǎn)介：　　The story of Saina Nehwal, a professional badminton player who ranked number 1 in the sport.

簡(jiǎn)介：　　An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.
　　Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.

簡(jiǎn)介：　　In Terror Train 2, it has been over a year since a series of gruesome, vengeful murders took the lives of multiple college seniors aboard the now infamous Terror Train. Alana (Robyn Alomar) is coerced to join The Magician (Tim Rozon) and other remaining survivors on a New Year's Eve redemption ride aboard the very same train, where a new kind of evil spawns a vengeful bloodbath and once again, the terrified passengers fight survive.