在日本的南端的沖繩，一群生活在小鎮上的高中生們，因為熱愛(ài)音樂(lè )將他們緊緊凝聚在一起。原本有望被東京的音樂(lè )製作公司簽下，正當迎接光明的未來(lái)時(shí)，因為一場(chǎng)飛來(lái)橫禍而失去了方向。而讓停下的時(shí)針再度往下走的，是一...

孤兒威姆（Tygo Bussemakers 飾）渴望進(jìn)入學(xué)堂，但遭到院長(cháng)拒絕，威姆私自出逃，被污蔑盜竊，警察將其關(guān)押到看守室，一只機靈的猴子幫他打開(kāi)門(mén)鎖，一人一猴相依為命勇敢踏上了未知的旅程...孩子從不畏懼表達渴望、完成渴望，面對強權的警察和孤兒院院長(cháng)，威姆堅持自己上學(xué)的夢(mèng)想，而世人眼中供人娛樂(lè )的猴子和弱勢的兒童之間又有著(zhù)怎樣奇妙的友誼與旅程呢？

講述一個(gè)一毛不拔的小提琴家被一個(gè)愛(ài)慕者和突然找上門(mén)來(lái)的女兒一起改造的故事。

　　Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.
　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.
　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.

夏洛特前往非洲，打算開(kāi)一家度假酒店，卻遇到了她分居的丈夫維克托和象牙走私者。