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83
6.2

洱海情波

導演:
中叔皇
主演:
馬冠英,紀雪菲,夏菁,崔月明,陳述,周?chē)e,陸勇昆,馬蕊,周志清,楊永忠,高娟
別名:
未知
6.2
83人評分
國語(yǔ)
語(yǔ)言
1986
上映時(shí)間
98
片長(cháng)
簡(jiǎn)介:
  望海莊是洱海邊的一個(gè)小漁村。近幾年富裕起來(lái),家家都要建新房添置家具。于是,村長(cháng)從劍川請來(lái)一個(gè)年輕的木工師傅趙木桃。誰(shuí)知木桃來(lái)后,在望海莊掀起一場(chǎng)風(fēng)波。趙木桃是個(gè)溫和、樂(lè )觀(guān)風(fēng)趣、手藝高超的小伙子。他一夜之間趕制成一把龍頭三弦琴,贏(yíng)得了全莊人的求愛(ài)。燕子姑娘熱情奔放、能歌善舞,木桃來(lái)莊后,她就暗暗地愛(ài)上了他??墒悄咎覅s裝不知道,因為,他早已愛(ài)上貌似觀(guān)音的姑娘楊海翠,并特意雕刻了一尊他家鄉劍川甘露觀(guān)音像,準備送給自己心愛(ài)的人。然而海翠早有了對象馬成興。馬成興因生意虧了本,人也不知去向。海翠為此常常流淚思念。海翠媽一心想找能掙錢(qián)的女婿,誤以為木桃是萬(wàn)元戶(hù),便千方百計地要促成這門(mén)婚事。做事沒(méi)有主見(jiàn)的海翠也以為木桃很有錢(qián),于是在眾鄉親的祝賀下與木桃舉行了訂婚禮。燕子將痛苦深埋在心里。當海翠母女得知木桃不是萬(wàn)元戶(hù)時(shí)大失所望,感情產(chǎn)生了裂痕。一天,失蹤的馬成興突然弄回一船木料來(lái)到海翠家。他得知海翠已訂親,失望地想離去。海翠媽苦苦相求并中傷木桃,馬成興信以為真。燕子聽(tīng)到海翠要與馬成興復好,深為木桃的處境感到痛心,壓入心底的愛(ài)火又燃起。她聽(tīng)從父親的話(huà),誠心誠意去勸說(shuō)海翠,心地純正的馬成興了解了這門(mén)婚事的真相后,留下一封信走了。他說(shuō):他需要的不是用錢(qián)買(mǎi)來(lái)的心。海翠捧著(zhù)信泣不成聲。傷心的木桃不愿在望海莊呆下去,但燕子舍己為人的優(yōu)秀品德終于贏(yíng)得了木桃的愛(ài)心。木桃和燕子終于成為一對戀人。
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4.0
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更新時(shí)間:09月25日
主演:未知
簡(jiǎn)介:

  Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

1196
1997
從今天到明天
主演:
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