簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

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富家子多米尼克（雅酷樸·蓋爾秀 Jakub Gierszal 飾）有著(zhù)寵慣他的父母，眾多朋友和無(wú)憂(yōu)無(wú)慮的生活。一次晚會(huì )上因為打賭輸了他與班上帥哥亞歷克斯（巴爾托什·格爾勒 Bartosz Gelner 飾）接吻，第二天整個(gè)過(guò)程變成了網(wǎng)絡(luò )視頻。亞歷克斯一口咬定多米尼克“有 生理反應”，多米尼克一下成為了話(huà)題焦點(diǎn)。父母只知道用物質(zhì)滿(mǎn)足兒子，苦悶的他干脆輟學(xué)沉浸在網(wǎng)絡(luò )聊天室中。一天他在網(wǎng)上結識了粉紅頭發(fā)的女孩席爾維亞（諾瑪·格西洛斯卡 Roma Gasiorowska 飾），受邀進(jìn)入到一個(gè)專(zhuān)門(mén)給有自殺傾向的少年準備的虛擬世界，那里被稱(chēng)做“自殺房間”...... 　　《自殺房間》采用真人和三維動(dòng)畫(huà)結合的方式，講述了一個(gè)少年由于對現實(shí)絕望，自我流放到網(wǎng)絡(luò )虛擬空間的故事，帶領(lǐng)觀(guān)眾目睹了一場(chǎng)青春無(wú)因的反抗與自我毀滅。該片入圍2011年柏林電影節全景單元，被譽(yù)為“波蘭近...

簡(jiǎn)介：當邀請來(lái)自全球的8位名人參加在線(xiàn)真人秀比賽時(shí)，他們很快意識到，他們?yōu)樽约旱纳鴳?，因為那些被選出的人遭受了可怕的后果，并向全世界直播

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一個(gè)私企老板立志要建立一個(gè)非同尋常的公園：恐龍將是這個(gè)公園的主角。他把眾多科學(xué)家收歸旗下，利用琥珀里面困住的遠古蚊子體內的血液，提取出恐龍的基因信息，利用這些信息培育繁殖恐龍。結果如愿以?xún)?，他在島上建立成了一個(gè)恐龍公園，堅信可以從中賺取大錢(qián)。然而，科學(xué)家們則憂(yōu)心忡忡。不幸的事情果然發(fā)生了。雖然公園有電腦系統管理，但卻因為被員工破壞而造成了無(wú)法挽救的失控：所有的恐龍逃出了控制區，人們紛紛逃竄卻逃不過(guò)恐龍的魔爪?？铸堊韵鄽垰?，人們亦死難無(wú)數，恐龍后續襲擊一個(gè)工業(yè)園區時(shí)，一群衣衫襤褸的雇傭兵被召集進(jìn)來(lái)。在他們摧毀該園區并逃往世界之前，將它們圍住。并且設定了精密的計劃來(lái)消滅這些變異的恐龍。最后幸存者寥寥，只得四人逃出生天。

簡(jiǎn)介：After surgery glamorous actress, Veronica Ghent, travels with her nurse, Desi, to the remote highlands in order to attend a healing retreat. The other guests are eccentric and there is something different about the land; the nature seems to have a purpose of its own. Immersing herself in the dramatic surroundings, Veronica is given a new lease of life and finds purpose through the magical elements in the land. Desi must overcome her own battles to help Veronica make peace with herself. Veronica and Desi, the motherless child and the childless mother, find in each other a sense of family, and the future of a new dawn opens up to them.

簡(jiǎn)介：皮蘭德婁去世時(shí)留下了明確的安排：不要給自己舉辦葬禮。但是影片中卻發(fā)生了三次葬禮。這部電影講述了皮蘭德婁的骨灰從羅馬到阿格里琴托的超現實(shí)之程。旅程中包含了種種奇妙的巧合：飛機因為古老的迷信沒(méi)有起飛；火車(chē)慢慢地向南方行駛……最后，皮蘭德婁的骨灰被撒到西西里海，形成了一個(gè)釘子的形狀?！夺斪印肥瞧ぬm德婁最后一部作品，靈感來(lái)自布魯克林的一起謀殺案和《混沌》中巴斯蒂安德杜這個(gè)人物。

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A small Rhode Island community comes together to create special Halloween and Christmas moments several weeks early for an 8-year-old girl with a life threatening illness. 　　At the beginning of the film, the father (John Corbett) gives his ill daughter a snow globe of a little girl holding a snow globe, and inside that globe is another little girl holding a snow globe. The mother...

簡(jiǎn)介：萊昂諾是一位努力與生活纏斗，試圖養家糊口的中年婦女。當她無(wú)意間讀到劇本征集的廣告后，她想起了曾經(jīng)的電影生涯，想繼續年輕時(shí)未完成的劇本創(chuàng )作。天不遂人愿，突發(fā)的意外將她的身體困在病榻，靈魂卻因此闖進(jìn)了她創(chuàng )作的故事中，上演了一場(chǎng)又一場(chǎng)令人目不暇接、天馬行空的大冒險。

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《娑婆訶》是張宰賢執導的懸疑驚悚電影，由李政宰、樸正民主演，于2019年2月20日在韓國上映。該片講述追查新興宗教團體受賄案件的樸牧師(李政宰飾)在遭遇神秘人物和事件后發(fā)生的懸疑驚悚故事。

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簡(jiǎn)介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.