電影《家庭主婦否定式》基于大熱舞臺劇《家庭主婦的獨白》改編。兩姐妹和她們的母親原本擁有很大分歧，但是因對家、對生活的反思，暫時(shí)擱置。 Gijsje是一位年輕、野心勃勃的控制狂。她非?？释麘言?，也非常希望在廣告公司獲得晉升。她的姐姐Marjolein已經(jīng)結婚，是三個(gè)孩子的媽媽?zhuān)齽倎G了份記者的工作。不過(guò)她有了新的抱負，當一名接送孩子上下課的媽媽。她們波西米亞的母親Loes在她漂亮的房子上借了不少貸款，給自己帶來(lái)了麻煩。兩姐妹不想失去他們的家庭，開(kāi)始尋找拯救的方法。只有靠Gijsje想廣告的金點(diǎn)子才能緩解他們的財政危機。這意味著(zhù)她要與她迷人的同事Dominique探討“現代家庭主婦”這個(gè)概念。這個(gè)任務(wù)比很多人想的要復雜的多。

Two sisters and their mother are forced to set aside their differences as they reflect on the lives they are living and the homes they are running.

Gijsje is a young, ambitious control freak who is desperate to get pregnant and climb the ladder at the advertising agency where she works. Her older sister Marjolein is married with three kids and has just lost her job as a journalist. Her new ambition: to become a school run mum.

Their bohemian mother Loes has got herself into trouble by taking out too many mortgages on her beautiful home. Gijsje and Marjolein cannot bear to lose their family home and start looking for a way to save it. Only the bonus that Gijsje can earn by coming up with the golden idea for an advertising campaign can get them out of financial trouble. This means working with her attractive colleague Dominique to explore the concept of the "modern day housewife"; a task that dredges up a lot more than the women ever bargained for.

"No such thing as a housewife" is based on the popular theatre performance "The Housewife Monologues".

暫無(wú)簡(jiǎn)介

　天性與后天的培養究竟哪個(gè)更重要？本·莫林和妻子凱瑟琳·奧尼爾都是備受尊敬的科學(xué)家，兩人進(jìn)行了一項他們認為能改變人類(lèi)對自己身份認知的實(shí)驗：用與三個(gè)孩子遺傳的天性相悖的方式撫養他們，最終證明后天對孩子的撫養可以勝過(guò)孩子先天的天性。他們希望證明人都具備達成任何成就的潛能。本和凱瑟琳在實(shí)驗中發(fā)現了家庭的可貴，比起實(shí)驗的科學(xué)真相，后者微不足道。

2018年印度的“申奧片”，印度自嘲式喜劇電影，影片由阿米特·瑪祖卡爾執導，主演拉吉·庫瑪飾演一名被委派到?jīng)_突地區，完成選舉任務(wù)的政府職員。在這樣的雷區中進(jìn)行“自由公平”的選舉并不是兒戲，他決心定要盡自己的職責。影片與印度以往載歌載舞的影片非常不同，影片沒(méi)有用歌舞的形式，也講了一個(gè)非常好的故事，根據在柏林電影節看過(guò)的網(wǎng)友說(shuō)，影片“前半部分略有疲軟，后半部分漸入佳境。 是一部有擔當、有情懷的電影?！?/p>

某軋鋼廠(chǎng)老工人孟長(cháng)有，經(jīng)過(guò)三年的刻苦鉆研，發(fā)明了反圍盤(pán)，改善生產(chǎn)條件，大大提高了生產(chǎn)率，說(shuō)明了工人階級無(wú)窮的潛在力量。