The historic and legendary 81 point game offers a great opportunity to tell the story of the amazing basketball player: Kobe Bryant. Former teammates, coaches and play-by-play commentators, witnesses of that particular night or played on court with Kobe, tell the story of this unique basketball game. We will tell the story of one of the greatest players of all time and his extr...

敦煌是絲綢之路上四大文明的交匯處。這樣的歷史背景，讓敦煌風(fēng)物充滿(mǎn)了混血的氣質(zhì)。而這樣的混血基因同樣滲透在人們的一日三餐中。

As the 100th anniversary of Titanic's sinking approaches, a team of scientists, engineers, archaeologists and imaging experts have joined forces to answer one of the most haunting questions surrounding the legendary disaster: Just how did the "unsinkable" ship break apart and plunge into the icy waters of the North Atlantic

當我們打開(kāi)一本書(shū)并發(fā)現自己迷失在其中時(shí)，這是一種罕見(jiàn)的感覺(jué)；在故事中找到自己的片段，讓自己沉浸在出現的情緒中。這種效果是 埃琳娜·費蘭特 的作品最為人所知的。埃琳娜·費蘭特 (埃琳娜·費蘭特) 被《時(shí)代》雜志評為全球 100 位最有影響力的人物之一，她是一位當代偶像，其身份與她的小說(shuō)密切相關(guān)，僅此而已。

盡管埃琳娜·費蘭特在國際上取得了巨大的成功，但她的真實(shí)身份仍然未知。通過(guò)摘錄閱讀和對評論家、導演、書(shū)商、編輯和作家（如 喬納森·弗蘭岑和伊麗莎白·斯特勞特）的采訪(fǎng)，費蘭特熱 探索了費蘭特 非常私密的寫(xiě)作，并探討了她選擇保持匿名的方式，這引發(fā)了一場(chǎng)前所未有的文化辯論。

拍攝于意大利和美國之間的《費蘭特熱》并不一定要去尋找“不露臉的作家”的身份，而是希望發(fā)現她成功的秘訣。她是如何創(chuàng )作出征服讀者的故事的12年的歷程？深度訪(fǎng)談提供了答案，但作家自己的話(huà)，她小說(shuō)中的地方和主人公也是如此。

網(wǎng)絡(luò )上流傳著(zhù)關(guān)于“撓癢”的神秘競技，一個(gè)同志想參與這場(chǎng)“撓癢癢大賽”卻被告知此運動(dòng)僅限直男。記者大衛·法里爾(大衛·法瑞爾)深入探尋后發(fā)現“撓癢”的背后是一條完整的灰色產(chǎn)業(yè)鏈，這其中不僅有撓癢視頻的制作方對演員的壓榨與侵害，甚至還能看到美國由金錢(qián)操縱的階級制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節世界電影單元紀錄片評審團大獎提名。

Eight Rwandan children leave their families behind to embark on a life-or-death journey seeking high-risk heart surgery in Sudan. Their hearts ravaged by a treatable disease from childhood strep throat, they have only months left to live. Open Heart reveals the intertwined endeavors of Dr. Emmanuel, Rwanda's lone government cardiologist fighting to save the lives of his young p...

American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism—a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated.

編劇兼導演貝特朗?塔維涅是一個(gè)貨真價(jià)實(shí)的諷刺電影大家之一。他的經(jīng)驗是廣博的, 他的知識是浩繁的, 他的愛(ài)是無(wú)窮無(wú)盡的, 他的視野唯有馬丁?斯科塞斯能相與匹敵。這部史詩(shī)般壯麗的紀錄片一直在制作。貝特朗?塔維涅對本地的影院十分了解, 從巨擘雷諾爾、戈達爾和梅爾維爾到如今被忽視 和遺忘的艾德蒙?格里維和蓋伊·吉爾, 他的觀(guān)察和回憶極具穿透性而且極具個(gè)人特色。 　　Writer-director Bertrand Tavernier is truly one of the grand auteurs of the movies. His experience is vast, his knowledge is voluminous, his love is inexhaustible and his perspective is matched only by ...