簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：飛女刑事II 少女鐵假面傳說(shuō)』是飛女刑事系列的顛峰之作，它為該系列帶來(lái)了不可動(dòng)搖的人氣，至今仍是Fans公認的完成度最高的作品?！　∫栽髀?huà)第2部為基礎改編，從『飛女刑事II 少女鐵假面傳說(shuō)』開(kāi)始，“麻宮紗紀”作為代號（code name）沿用，代代相傳，飛女刑事的擔當者都要繼承這個(gè)名字，所以飛女刑事的三大特征：水手服（黑色冬裝 白色夏裝）、用來(lái)戰斗的重合金溜溜球、“麻宮紗紀”這個(gè)名字。另外，主人公用土佐腔說(shuō)的“おまんら、許さんぜよ”（意為“你們這些家伙，不可原諒！”原文是土佐方言。）等決斷臺詞也相當有名。原作者和田慎二評價(jià)這部作品說(shuō)紗紀“孤獨、為他人而戰、跟敵人戰斗、與朋友相識”等部分和原作的意象最為接近?！　∠鄬τ诔醮w女刑事孤軍奮戰，二代有兩位可靠的戰友與之并肩作戰（這套路在III里面以三姐妹的形式被沿用）。打斗場(chǎng)面的激烈程度也大為升級，戰斗部分非常精彩。前作無(wú)可比擬的是，該作登場(chǎng)的敵人多是個(gè)性獨特的角色，十個(gè)人十個(gè)樣，而非傳統的千人一面的惡役，令人耳目一新。伏線(xiàn)、謎團以及相應的解答也安排得很出色（當然bug也不少）。另外，還有當時(shí)人氣絕頂的「おニャン子クラブ」（小貓隊，日本80年代后期紅極一時(shí)的偶像組合）客串出演?！　斨餮莸哪弦瓣?yáng)子更是憑借這部作品以及隨后的電影版從而開(kāi)始了她的事業(yè)顛峰期：1985～1986年主演電視劇『飛女刑事II』、1987年主演電影『飛女刑事』、1988年她與工藤靜香、中山美穗、淺香唯共同被稱(chēng)為“偶像四天王”，人氣盛極一時(shí)。

簡(jiǎn)介：Erika意外懷孕，此時(shí)的她完全沒(méi)有做好迎接第一個(gè)孩子的準備。Erika是個(gè)出了名的控制狂，對臨產(chǎn)各方面都考慮周全，甚至給自己預約了一臺剖腹產(chǎn)手術(shù)。一天晚上，她被宮縮陣痛疼醒，胎兒意外地提前出生。過(guò)于追求完美主義的Erika精神崩潰?！　∷裏o(wú)法照顧剛出生的兒子，開(kāi)始出現緊張性精神癥的癥狀。醫生建議她接受小組治療。Erika只好無(wú)奈地聽(tīng)從醫生囑咐，在一間不知名的酒店做工，和一群患有同樣病癥的人生活在一起。在與病友相處的過(guò)程中，她重新認識、改造自己，每天醒來(lái)都是全新的Erika?！　　禜otell》是瑞典戲劇、電影導演Lisa Langseth的第二部故事片。Alicia Vikander擔綱片中女主角，她曾出演過(guò)影片《皇室風(fēng)流史》《安娜卡列尼娜》。

簡(jiǎn)介：位于北冰洋沿岸的哈默菲斯特是挪威最北的城市，這座小城每年都會(huì )經(jīng)歷極夜，太陽(yáng)永遠地藏在地平線(xiàn)以下不會(huì )升起，城市在漫長(cháng)的黑夜與永恒的黎明之間徘徊。來(lái)自德國的天然氣工程師尼爾斯把自己的妻子瑪利亞和兒子接來(lái)此地，希望挽救即將破碎的家庭。但新的環(huán)境貌似對他們的關(guān)系于事無(wú)補。尼爾斯沒(méi)日沒(méi)夜的工作，還在外有個(gè)情人?，斃麃喸谂R終醫院做夜間看護，處在青春躁動(dòng)期的兒子馬庫斯與新同學(xué)的關(guān)系也日拔弩張。但一晚一場(chǎng)突然起來(lái)的車(chē)禍將三顆冰冷的心漸漸融化，原本岌岌可危的夫妻關(guān)系在共同承擔對這一事件的過(guò)程中開(kāi)始發(fā)生變化，并在彼此的陪伴中完成了由恐慌-逃避-愧疚-躊躇-懺悔的整個(gè)心理歷程，并最終在對向受害者父母說(shuō)出真相完成了對自我心靈的救贖。

簡(jiǎn)介：Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her past adultery, and assigning his employees journalistic jobs for which they have little aptitude or interest. Shrike goads Adam into meeting one of his correspondents, Fay Doyle, a teary, self-pitying woman who makes a play for him. Adam is torn between his loyalty to the newspaper and his girl Justy.

簡(jiǎn)介：Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. ?Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. ?Magdalena lives with her adopted parents and works in an art gallery. ?The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. ?Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. ?The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. ?The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. ?Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. ?The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

簡(jiǎn)介：一名大學(xué)教授的殘忍謀殺案引發(fā)了學(xué)生騷亂，一位警察展開(kāi)調查的同時(shí)一名律師在法庭上尋求正義。