簡(jiǎn)介：In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly people. Escaping from the police in their spaceship, Ramon try to kill his gang in order to get all the ransom. The trip ends abruptly when they crash in Axturiax, the planet of the crazy miners where no woman lives

簡(jiǎn)介：

　　故事乖張離奇，講述在一個(gè)只有男孩和婦女的小島上，男孩正在接受一種奇怪治療，小男孩尼古拉斯的潛水打破了原有的平衡。

簡(jiǎn)介：電影《Dead Again》是一部恐怖電影，主要講述了對愛(ài)情相當執著(zhù)的主人公走向滅亡的故事，人類(lèi)心理上的恐怖將通過(guò)日記的形式向觀(guān)眾展現。電影將于下個(gè)月開(kāi)機，計劃于明年上半年在韓國和美國同步上映。

簡(jiǎn)介：《通向行星路》的制作期長(cháng)達三年，它是一部雄心勃勃的意識形態(tài)電影，包含著(zhù)極具開(kāi)創(chuàng )性的特效和精湛的手工模型作品。這部影片對庫布里克《2001太空漫游》（2001：A Space Odyssey，1969）中對失重狀態(tài)、灼熱的星球和旋轉式的太空站模型的在現實(shí)主義描寫(xiě)有著(zhù)重要影響?！　lushantsev的《通向行星路》捕捉到了太空競爭的時(shí)代思潮。按照莫斯科電影官僚的指示，他在影片中增加了蘇聯(lián)第一個(gè)繞地衛星的模型。結果，這部五十分鐘電影在蘇聯(lián)激起了觀(guān)眾的恐慌。據報道，電影片段在美國電視播放時(shí)，有些觀(guān)眾恐慌得暈厥過(guò)去?！　∵@使得他隨后的影片也是他唯一一部標準長(cháng)片——1962年的《暴風(fēng)雨之星》讓人有點(diǎn)失望。這部影片是這一時(shí)期蘇聯(lián)科幻電影知名度較高的一部，故事由一隊到金星探索的蘇聯(lián)航天員展開(kāi)，隊伍中有四個(gè)男人，一個(gè)女孩，還有一個(gè)笨重的機器人（這個(gè)機器人很明顯是效仿了米高梅影片《禁忌星球》（Forbidden Planet，1956）中的機器人角色）。當兩個(gè)宇宙飛船被流星摧毀時(shí)，這一隊人被迫在星球表面下降著(zhù)陸。他們一著(zhù)陸就遇到惡毒的蜥蜴人，掠奪性的翼龍和食人的植物，而最后，他們得以逃離，回到太空中。

簡(jiǎn)介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.