簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

簡(jiǎn)介：沃拉爾的人生平凡無(wú)奇。他生長(cháng)于一個(gè)虔誠的家庭，通過(guò)經(jīng)營(yíng)一家坐落于伊斯坦布爾美國領(lǐng)事館對面的照相館，履行著(zhù)作為養家糊口之人的職責，供養年輕的兒子和生病的父親。此外，他還延續家族傳統，指導兒子成為一個(gè)正直的人。但在表象之下，沃拉爾也有一個(gè)秘密：他和年輕的女顧客——為了申請美國簽證而找他拍照的索奈有了外遇。索奈一心想要離開(kāi)這里，在夢(mèng)想破滅后，憤怒的她和沃拉爾起了爭執，威脅到了他平靜的生活。最終，沃拉爾必須做出選擇：是誠實(shí)地面對自己犯下的過(guò)錯，還是掩蓋真相、走上道德淪喪的黑暗之路？

簡(jiǎn)介：　　影片改編自同名網(wǎng)絡(luò )小說(shuō)。
　　平凡上班族金獨子（安孝燮 飾），唯一嗜好是閱讀網(wǎng)絡(luò )小說(shuō)《在滅亡的世界中存活的三種方法》，不過(guò)在長(cháng)達十年的連載期間，他卻是這個(gè)小說(shuō)的唯一讀者。當金獨子在地鐵車(chē)廂讀完小說(shuō)最終話(huà)時(shí)，小說(shuō)中的場(chǎng)景卻轉瞬成為現實(shí)。地鐵車(chē)廂仿佛成為人間煉獄，巨大怪物正踐踏著(zhù)這座城市，以及憑空出現在眼前的訊息：“您收到了第一個(gè)主線(xiàn)任務(wù)?！本o接著(zhù)，熟悉的小說(shuō)角色紛紛登場(chǎng)，而那個(gè)無(wú)比強大、牽動(dòng)著(zhù)整個(gè)世界命運的小說(shuō)主角劉眾赫（李敏鎬 飾），開(kāi)始照著(zhù)劇情一一行動(dòng)。眼看熟悉的世界將不復返，一個(gè)嶄新的世界正在誕生，身為唯一知曉這個(gè)新世界結局的金獨子，將在升級自身能力的同時(shí)，打造出與原本小說(shuō)截然不同的結局。

簡(jiǎn)介：

　　承接上集于紐約大陸酒店中槍墜樓，大難不死的約翰·威克（基努·里維斯飾）越洋前往大阪大陸酒店，向經(jīng)理兼老朋友島津浩二（真田廣之飾）求助。另一方面，高桌會(huì )的新領(lǐng)導人文森特·德·格拉蒙特侯爵（比爾·斯卡斯加德飾）決心斬草除根，他先對付紐約大陸酒店經(jīng)理溫斯頓（伊恩·麥克肖恩飾演），再逼使威克昔日戰友該隱（甄子丹飾演）替他效力，誓要孤立威克。
　　為了找出一條真正出路、打破宿命，威克決定向格拉蒙特侯爵提出生死決斗，贏(yíng)了便能從此逃離追殺、重獲真正自由；但他不知道，侯爵早于決斗地點(diǎn)·巴黎布下天羅地網(wǎng)，只待他墮入死亡陷阱…

簡(jiǎn)介：改編自中國最杰出的文言短篇小說(shuō)集《聊齋志異》。書(shū)生蒲松齡夜宿蘭若寺，被蛤蟆、烏龜兩只精怪抓到古井底評判故事好壞，于一寺一井一樹(shù)間，《嶗山道士》《蓮花公主》《聶小倩》《畫(huà)皮》《魯公女》等《聊齋志異》經(jīng)典篇章，跨越滄海桑田次第展開(kāi)，六種故事風(fēng)格呈現出一場(chǎng)至奇志怪、至情至緣的視聽(tīng)盛宴。

簡(jiǎn)介：Kath and Donnie are celebrating their 2nd year anniversary in Japan and decides to end their relationship when the trip ends.

簡(jiǎn)介：

　　故事時(shí)間回到源頭，英文片名暗示故事聚焦父子關(guān)系。大橋頭第二代Michael（王陽(yáng)明 飾）橫空出世，瞞著(zhù)父親（龍天翔 飾）與兄弟（張懷秋 飾）私下打算重整角頭新的秩序，惹火了北館（高捷、王識賢）、頂莊（蔡振南、孫鵬）、北城（太保 飾）共同對抗，四方角頭正式開(kāi)戰。

簡(jiǎn)介：

　　號稱(chēng)“天下第一局”的象棋比賽在大梁皇帝和契丹國間展開(kāi)，不同于普通的象棋，這里的所有棋子都是活生生的人。一場(chǎng)比賽下來(lái)，大梁慘敗。忠將葉全忠被奸臣冷子京陷害至死，其家人包括他女兒葉冷心（何美鈿 飾）被發(fā)配從軍；而主將岳懷仙（黃文豪 飾）則死里逃生，被民間棋王薛一驃（張衛健 飾）所救。                                                                    　　在一驃和其母親的悉心照顧下，懷仙順利康復，而他的危險卻仍舊未被解除。怕有后患的冷子京派他的女兒冷艷（樊亦敏 飾）前來(lái)追殺懷仙，但冷艷卻在得知真相后，開(kāi)始對懷仙暗生情愫。他們在逃亡的過(guò)程中，邂逅了冷心。一群人陰差陽(yáng)錯的得到了秘籍“七殺真經(jīng)”，眾人從秘籍中練就了絕世武功，開(kāi)始準備反撲……

簡(jiǎn)介：昔日冠軍車(chē)手張馳（沈騰 飾）淪為落魄駕校教練，過(guò)著(zhù)靠臉吃飯勉強度日的生活。不料天上掉餡餅，瀕臨停產(chǎn)的老頭樂(lè )車(chē)廠(chǎng)廠(chǎng)長(cháng)（賈冰 飾）主動(dòng)提出贊助張馳組建車(chē)隊再闖最后一屆巴音布魯克拉力賽。面對這潑天的富貴，張馳蠢蠢欲動(dòng)，而廠(chǎng)長(cháng)背后真實(shí)的目的無(wú)人知曉……帶資進(jìn)隊的車(chē)手厲小海（范丞丞 飾），看似單純善良卻為何有著(zhù)與之身份毫不相符的超強天賦？　　張馳召集老朋友孫宇強（尹正 飾）和記星（張本煜 飾），與天才車(chē)手厲小海和總是考不過(guò)科目二的菜鳥(niǎo)駕校學(xué)員劉顯德（孫藝洲 飾）組成了一個(gè)苦中作樂(lè )、雞飛狗跳的草臺班子，克服重重困難，笑料百出地奔赴賽場(chǎng)。這一次他將超越無(wú)數次出現在夢(mèng)中的終點(diǎn)線(xiàn)……

簡(jiǎn)介：

當首都最高的摩天大樓陷入熊熊大火，威脅到平民和消防員同伴的生命時(shí)，年輕的消防員阿米爾需要站起來(lái)，通過(guò)克服過(guò)去的心理障礙來(lái)證明自己。

簡(jiǎn)介：故事承接《鬼滅之刃 柱訓練篇》。