簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. ?Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. ?Magdalena lives with her adopted parents and works in an art gallery. ?The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. ?Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. ?The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. ?The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. ?Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. ?The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

簡(jiǎn)介：一名大學(xué)教授的殘忍謀殺案引發(fā)了學(xué)生騷亂，一位警察展開(kāi)調查的同時(shí)一名律師在法庭上尋求正義。